Demanding and Reluctant Love, 1994/98
Acrylic and Collage on canvas •
Signed verso •
147.5cm
x
104.0cm
SKU: DG-72939-sv
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Derrick Greaves was one of the most important British painters of the last half century, initially gaining acclaim in the 1950s when he represented Britain at the Venice Biennale along with the other ‘Kitchen-Sink’ painters with whom he was associated. Born in Sheffield in 1927, Greaves apprenticed for five years as a sign-writer, before winning a scholarship to the Royal College of Art where he studied from 1948-52.
During the ’60s his work moved away from the social realism of his previous pieces, taking on instead a more stylised approach. His work is prominently displayed in the world’s most prestigious public galleries, including the Tate Gallery, the Contemporary Arts Society, the Arts Council of Great Britain and the New York Public Library. He died in 2022.
During the ’60s his work moved away from the social realism of his previous pieces, taking on instead a more stylised approach. His work is prominently displayed in the world’s most prestigious public galleries, including the Tate Gallery, the Contemporary Arts Society, the Arts Council of Great Britain and the New York Public Library. He died in 2022.
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About the work
About the Work
Signed, dated and titled verso by the artist.
Illustrated in James Hyman's Derrick Greaves From Kitchen-Sink to Shangri-La page 137.
Greaves created this painting from an original drawing he made in 1954. In contrast to the fleshy heat of the 70's and 80's erotic subjects Demanding and Reluctant Love, is relatively restrained and is a beautiful example of what Greaves described as his development towards linear clarity. When it was shown at the Royal Academy Summer Exhibition in 1998 it attracted comparison with Matisse.
Illustrated in James Hyman's Derrick Greaves From Kitchen-Sink to Shangri-La page 137.
Greaves created this painting from an original drawing he made in 1954. In contrast to the fleshy heat of the 70's and 80's erotic subjects Demanding and Reluctant Love, is relatively restrained and is a beautiful example of what Greaves described as his development towards linear clarity. When it was shown at the Royal Academy Summer Exhibition in 1998 it attracted comparison with Matisse.
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