Highbrow Bird, 15.08.2013
By Sid Burnard
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Sid Burnard was born in Brighton in 1948. Introduced to the art of beachcombing by his Romany grandmother, Sid learnt to appreciate the beauty of nature from an early age. His time at Bristol Guild of Applied Arts gave him a profound understanding of visual arts and crafts and allowed him to put his personal vision into practice.
He is now based in Borth near Aberystwyth in Wales, where the flotsam and jetsam from the nearby sea is his only source of materials. Working with found objects, nothing is changed - simply introduced to one another. His driftwood pieces, usually birds, boats or mythical beasts, are full of his passion, integrity and wonderful humour.
He is now based in Borth near Aberystwyth in Wales, where the flotsam and jetsam from the nearby sea is his only source of materials. Working with found objects, nothing is changed - simply introduced to one another. His driftwood pieces, usually birds, boats or mythical beasts, are full of his passion, integrity and wonderful humour.
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About the work
About the Work
I have saved this suggested bird-head for about three years, whilst contemplating how best to interpret it.
Recently, the part-burnt knot appeared amongst the pebbles. It was the correct scale eye - now to introduce them to each other. Cementing their relationship was very tricky.
The body is full of grace and creates an elegant bird. Whilst the base does not sit quite flat on a surface, this is deliberate, for set in a draught, the bird will move slightly, bringing it to life. The little blue tuft of rope is as found.
Recently, the part-burnt knot appeared amongst the pebbles. It was the correct scale eye - now to introduce them to each other. Cementing their relationship was very tricky.
The body is full of grace and creates an elegant bird. Whilst the base does not sit quite flat on a surface, this is deliberate, for set in a draught, the bird will move slightly, bringing it to life. The little blue tuft of rope is as found.
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