The Great Happiness, 1965
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Cecil Collins is arguably one of the greatest English visionary artists since Blake and Palmer. With emblematic figures such as the Fool, the Angel, the Pilgrim and the Sibyl in extraordinary landscapes, Collins portrayed an original and inspiring philosophy of life. He has been recognized as belonging to the Neo-Romantic movement of poetical art which flourished in the post-war period, but his dedication to depicting his mystic understanding made his work highly distinctive. His lyrical art is in some ways closer in spirit to the French Symbolists, especially Odilon Redon, and he has some affinities with Paul Klee and Georges Rouault.
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About the work
About the Work
This is one of several of Collins's prints which began as an exercise and developed into a complete statement. Collins made a merit of the awkward shape of the plate he was given. He visualises its lowest section as raw material which, as the eye rises, is transformed by fire, reaching ultimate expression in the radiant calmness of the sun. The presentation again owes a debt to Eastern art. Collins views nature and the whole cosmos as alive with an inner energy linking all its parts. This curious combination of the dynamic and calm is central to 'Great Happiness', of which Robin Skelton has written that 'the dancing gaieties of texture express vitality and peace' (Taken from the book which took it from The Vision of Cecil Collins, The Malahat Review 13 January 1970).
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Vendor:
Cecil Collins
A Midsummer ...
Lithograph
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£1,450
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