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Svend Bayer: An Embarrassment of Riches
After six years shipwrecked on the ‘Isle of Despair’, some 40 miles from the mouth...
Catalogue Essay | 'Richard James: Assemblage Ar...
To accompany our exhibition of assemblages by Richard James, acclaimed writer Robert Macfarlane has written...
Catalogue Essay | Frank Dobson by Andrew Lambirth
To accompany our Frank Dobson exhibition, we've produced a detailed catalogue with essay penned by...
Michael Ayrton: The Beast Within
In 1971 Michael Ayrton found that drawing and sculpture were no longer enough to exorcise...
Featured Art | Le Crete Senesi Series by Joe Ti...
In Cennini’s Libro dell’Arte, the Tuscan painter’s handbook for aspiring 15th century artists, you will...
Featured Art | 'Everyday saints of the city': S...
Whether pasted on disused buildings or installed hanging from gallery ceilings, Swoon's intimate, local portraits...
'Pots to Give and to Hold': Why We Love Eating ...
In the 15 years we have been selling ceramics, we have always sold domestic ware:...
In Focus | Birds of Nobility: C.F. Tunnicliffe'...
In 'Hawks and Falcons', C.F. Tunnicliffe's last great suite of prints, his chivalric subjects are...
In Focus | A Murderous Homeland: Dust by Sidney...
Sidney Nolan painted many Australias: by air, up creek and desert dune, but it is...
In Focus | The Bawdy Humour of Pablo Picasso's ...
Like Rojas' original, Picasso's 'La Célestine' is a tale of selfish indulgence and bawdy lewdness;...
'Our Late Familiars': Ian Wilkinson, Iain Sincl...
In 'Our Late Familiars', the undead of Palermo's catacombs are reawoken in Ian Wilkinson's haunting...
Kill Your Darlings: Sex and Violence in Michael...
For Rothenstein, the rooster's cock-of-the-walk braggadocio and the violent impress of cut timber became the...