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Shatter, 2021
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Born in 1941, Wenham’s interest in lettering was stimulated at an early age. At university Wenham read botany and forestry, his artistic propensity aiding with precise observational drawing. Throughout this time an interest in pen-lettering persisted and after a research colleague requested a carved house-name in wood Wenham approached the professional carver Harry Spring, who showed him the basic technique of letter-cutting.
After a year Wenham left research and for the next 23 years taught in secondary, primary and special schools, with 9 years’ lecturing at the University of Leicester. He first exhibited his letter-cutting work in 1982; since 1984 it has been shown in the major British exhibitions of lettering arts. Wenham’s work is held in the Crafts Council’s Permanent Collection and in private collections in Britain, the USA, Germany, Japan and Puerto Rico.
After a year Wenham left research and for the next 23 years taught in secondary, primary and special schools, with 9 years’ lecturing at the University of Leicester. He first exhibited his letter-cutting work in 1982; since 1984 it has been shown in the major British exhibitions of lettering arts. Wenham’s work is held in the Crafts Council’s Permanent Collection and in private collections in Britain, the USA, Germany, Japan and Puerto Rico.
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About the Work
Monogrammed letter carving on plywood.
In 1991 Martin saw this quotation carved in stone by Ralph Beyer, who carved the large inscriptions in Coventry Cathedral. The carving was masterly, but rather conventional and very polite. He was reminded of it in 2021 by a book on Beyer's inscriptions and decided to try a version with rather more shatter and fury: more Basie than Beethoven.
The words are a translation of a line from a poem by Rainer MAria Rilke (1875 - 1926).
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