Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.

Untitled Abstract, 1973
By Merlyn Evans
Interested in this item?
Start a conversation
This is an original artwork
held in stock at goldmark
Need it in a hurry?
Get in touch
Not completely delighted?
30 day free returns
Artist Information
About the Work
Dimensions & Details
Goldmark.tv
Delivery & Returns
Artist Information
Artist Information
Stay up to date with this artist

Stay up to date with this artist
Merlyn Evans was born in Cardiff. He attended Glasgow School of Art (1927-1930) and then held a scholarship at The Royal College of Art (1931–1933. He travelled extensively during the 30’s and 40’s meeting Mondrian, Kandinsky, Giacometti and Ernst amongst many others before settling in London, which was to remain the base for his work until his death. He was a highly respected figure in the development of twentieth century British art. In 1956 the Whitechapel Gallery held a retrospective of his work.
Evans was a remarkable painter and draughtsman, but it might be argued that it was as a spectacularly gifted and inventive printmaker that he exerted his strongest influence. Between 1930 and 1973 he made around 100 etching, engraving and mezzotint plates most of which were printed in very small numbers. His technically complex work over the two decades after the war showed him to be the pre-eminent intaglio printmaker of the period. His works are to be found in numerous National Collections including The Tate and the V&A.
Evans was a remarkable painter and draughtsman, but it might be argued that it was as a spectacularly gifted and inventive printmaker that he exerted his strongest influence. Between 1930 and 1973 he made around 100 etching, engraving and mezzotint plates most of which were printed in very small numbers. His technically complex work over the two decades after the war showed him to be the pre-eminent intaglio printmaker of the period. His works are to be found in numerous National Collections including The Tate and the V&A.
Related Categories
About the work

About the Work
Untitled Abstract lithograph printed in colours, signed, dated '73 and numbered from an edition of 75 in pencil.
From the Mark Rothko Memorial Portfolio, published by the Mark Rothko Memorial Trust.
From the Mark Rothko Memorial Portfolio, published by the Mark Rothko Memorial Trust.
Goldmark.tv
Delivery & Returns
-
Our Free Bespoke Delivery
At Goldmark we understand the risks of sending delicate art and ceramics in the post, that’s why we hand package in made to measure boxes, frame and seal every purchase. If you do have an issue with your order, just get in touch with us and we can get it sorted for you as soon as possible.
-
Our Free Bespoke Frames
All eligible orders that include a frame with their delivery will receive a bespoke frame handmade by our dedicated talented team of frame makers. You can learn more about our frame making process here and what makes it so special.
Similar Works
-
A Gallery Supporting Real Artists
Goldmark is proud to have changed the lives of many living artists, enabling them to spend more of their time making pictures, pots and sculpture.READ MORE -
Goldmark is delighted to be a member of the International Fine Print Dealers Association, the Fine Art Trade Guild and the Confederation Internationale de Negociants en Oeuvres d'Art.READ MORE