Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.

Still Life, 1988
Giving Back: Your purchase helps Goldmark support the Curwen Print Study Centre.
Interested in this item?
Start a conversation
This is an original artwork
held in stock at goldmark
Need it in a hurry?
Get in touch
Not completely delighted?
30 day free returns
Artist Information
About the Work
Dimensions & Details
Goldmark.tv
Delivery & Returns
Artist Information
Artist Information
Stay up to date with this artist

Stay up to date with this artist
William Scott was born in Greenock, Scotland, in 1913. In 1924, his family moved to his father’s home town of Enniskillen in Northern Ireland where Scott soon began art classes with a local teacher, Kathleen Bridle. In 1928 he enrolled at the Belfast School of Art, moving to London three years later to take up a place at the Royal Academy Schools, initially in the sculpture department, later moving to painting. He married fellow student Mary Lucas in May 1937 and soon after, they travelled to Italy and France, establishing an art school in Pont-Aven with the painter Geoffrey Nelson. In 1938, Scott exhibited at the Paris Salon d'Automne, and was elected Sociétaire that same year.
By 1956, Scott’s success as an artist, both nationally and internationally, allowed him to give up full-time teaching, although he would remain interested in, and involved with, art school education for the rest of his life. In 1958 he represented Great Britain at the Venice Biennale, one of many occasions on which his work was chosen by the British Council to be exhibited abroad. The 1960s saw retrospective exhibitions in Zurich, Hannover, Berne and Belfast. There were also major shows in London, Tokyo, Paris, Brussels, Copenhagen, Oslo and Rotterdam.
By 1956, Scott’s success as an artist, both nationally and internationally, allowed him to give up full-time teaching, although he would remain interested in, and involved with, art school education for the rest of his life. In 1958 he represented Great Britain at the Venice Biennale, one of many occasions on which his work was chosen by the British Council to be exhibited abroad. The 1960s saw retrospective exhibitions in Zurich, Hannover, Berne and Belfast. There were also major shows in London, Tokyo, Paris, Brussels, Copenhagen, Oslo and Rotterdam.
Related Categories
About the work

About the Work
Original lithograph, 1988, a printer's proof aside from the edition of 100.
Printed by Curwen Studio.
Published by The William Scott Foundation.
Blind stamped from the archive of Curwen Master Printer Stanley Jones.
Goldmark.tv
Delivery & Returns
-
Our Free Bespoke Delivery
At Goldmark we understand the risks of sending delicate art and ceramics in the post, that’s why we hand package in made to measure boxes, frame and seal every purchase. If you do have an issue with your order, just get in touch with us and we can get it sorted for you as soon as possible.
-
Our Free Bespoke Frames
All eligible orders that include a frame with their delivery will receive a bespoke frame handmade by our dedicated talented team of frame makers. You can learn more about our frame making process here and what makes it so special.
Similar Works
-
A Gallery Supporting Real Artists
Goldmark is proud to have changed the lives of many living artists, enabling them to spend more of their time making pictures, pots and sculpture.READ MORE -
Goldmark is delighted to be a member of the International Fine Print Dealers Association, the Fine Art Trade Guild and the Confederation Internationale de Negociants en Oeuvres d'Art.READ MORE