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The Sabine Theme, 1949
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Ceri Richards was born in 1903 near Swansea to a Welsh-speaking family where music and poetry (influences on his work) were positively encouraged. A gifted draughtsman at school, he left to be apprentice in a firm of electricians in Swansea, devoting his evenings to studying engineering draughtsmanship at Swansea College of Technology and drawing at the Swansea College of Art.
He was a versatile artist, able to absorb many influences without sacrificing his originality. From 1933 he worked on a series of relief constructions and assemblages which were described by John Rothenstein as ‘original creations of a rare order, and unlike anything else done in Britain at the time’. Much of his work was inspired by his love of music and the poetry of Dylan Thomas.
He was a versatile artist, able to absorb many influences without sacrificing his originality. From 1933 he worked on a series of relief constructions and assemblages which were described by John Rothenstein as ‘original creations of a rare order, and unlike anything else done in Britain at the time’. Much of his work was inspired by his love of music and the poetry of Dylan Thomas.
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About the work
About the Work
Very early and scarce, signed and dated original lithograph.
From the main edition of 50.
Printed by the Curwen Press for the Redfern Gallery, London.
The Rape of the Sabines became the defining theme of Richards' post-war period. This classical episode, revisited in the ancient literature by Plutarch, Livy and Ovid and long the subject of Western painting, produced a prolific outpouring of paintings that quickly culminated in an exhibition at the Redfern Gallery in 1948.
Very scarce; the last time we had this lithograph in stock was 25 years ago.
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