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Eduardo Paolozzi | Bunk, 2016
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Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group.
A significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He emerged fully onto the Pop Art scene in 1962 with his abstract, robot-like figures such as Four Towers and Solo, but of all his work his screenprints are said to have had the largest impact on Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005.
A significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He emerged fully onto the Pop Art scene in 1962 with his abstract, robot-like figures such as Four Towers and Solo, but of all his work his screenprints are said to have had the largest impact on Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005.
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About the Work
A beautiful 24 page catalogue featuring essay by Max Waterhouse and all 45 images from Eduardo Paolozzi's iconic Bunk suite of prints, made to accompany the 2016 Goldmark exhibition.
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