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Pardoner, 1967
By Ron King
Screenprint •
Signed •
20.5cm
x
20.5cm
SKU: RQK-pardoner-i
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Ron King has had an artistic life that spans a multi faceted and inspiring 60 years. His iconographic work is marked by a distinctive, fresh and often pioneering approach. As an artist his work can’t be pinned down by genre but it does have an approach that is hallmarked by a distinctively curious, questioning and energetic approach.
He picked up a scholarship at Chelsea for his painting and then several art awards when he emigrated to Canada, with his wife and sculptor Willow Legge in 1956. Here he worked as an art director in McLean Hunter publishing house. In 1960 Ron returned to the UK with his family to paint for his first one-man show in Toronto. In 1961 while teaching at Farnham School of Art he took up printmaking, which led to a contract in 1964 with the well known print publishers Editions Alecto. Unable to publish his first book ‘The Prologue to Chaucer's Canterbury Tales’ with them, he followed through the project himself and formed the Circle Press.
He picked up a scholarship at Chelsea for his painting and then several art awards when he emigrated to Canada, with his wife and sculptor Willow Legge in 1956. Here he worked as an art director in McLean Hunter publishing house. In 1960 Ron returned to the UK with his family to paint for his first one-man show in Toronto. In 1961 while teaching at Farnham School of Art he took up printmaking, which led to a contract in 1964 with the well known print publishers Editions Alecto. Unable to publish his first book ‘The Prologue to Chaucer's Canterbury Tales’ with them, he followed through the project himself and formed the Circle Press.
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About the work
About the Work
Initialled screenprint from the Chaucer's Prologue suite.
The catalyst for the Prologue begins with the Early Masks, Ron had been exploring in 1960s. Here he developed the theme using medieval heraldry and a cross-based design to create the mask images of pilgrims.
The catalyst for the Prologue begins with the Early Masks, Ron had been exploring in 1960s. Here he developed the theme using medieval heraldry and a cross-based design to create the mask images of pilgrims.
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