Frank Brangwyn was a workhorse. His astounding work ethic, matched by few contemporaries, produced, by conservative estimates, in excess of ten thousand works of art across a multitude of media. He was an artistic chameleon, capable of adapting to new art forms as they were introduced to him, and held a profound belief in art as an occupation, rather than intellectual exercise, in which his own desire to create became all-consuming.
Brangwyn at War, 2014
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Anglo-Welsh artist Frank Brangwyn was actually born in Bruges (1867), but his family returned to London when he was eight years old. He took to sketching regularly in his early teens and, aged 18, Brangwyn exhibited at the Royal Academy for the first time. During the 1890s he produced book illustrations, continuing to do this for the rest of his career.
In the 1900s Brangwyn began designing furniture, textiles, ceramics and other media. He was made an Official War artist in World War I, gaining repute through his posters, and was further recognised with an RA appointment (1919) and a knighthood (1941). Brangwyn was given a major retrospective exhibition at the Royal Academy, the first time this honour had been accorded to a living artist.
In the 1900s Brangwyn began designing furniture, textiles, ceramics and other media. He was made an Official War artist in World War I, gaining repute through his posters, and was further recognised with an RA appointment (1919) and a knighthood (1941). Brangwyn was given a major retrospective exhibition at the Royal Academy, the first time this honour had been accorded to a living artist.
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Paperback, 184 pages, 126 works (almost all of which are illustrated) ranging from pre Great War illustrations for The Graphic, through all his war work to the murals in Winnipeg and the initial designs for the House of Lords memorial.
The book discusses Brangwyn’s attitude to war, his war art compared to contemporaries and his use of photographs.
His posters are ‘illustrated’ by excerpts from Great War diaries. There’s a chapter about propaganda and multifarious gobbets including the medical corps, gas attacks, army slang, smoking soldiers, Wipers Times, the photographer William Rider-Rider plus explanations about lithography, wood engraving and linocuts, plus an index of titles, index of catalogue numbers, museums list, exhibitions list and the usual extensive bibliography.
Published in 2014 with Goldmark Gallery.
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