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Walter Keeler - Treasures of the Everyday, 2017
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Walter Keeler is a British studio potter, born in London in 1942. He attended Harrow School of Art, London where he was trained by Michael Casson. He established his first pottery at Bledlow Bridge, Buckinghamshire in 1965 then moved to his current studio in Penallt Wales, where he lives with his potter wife Madoline. He was professor of Ceramics at the University of the West of England and in 2007 was named Welsh Artist of the Year.
Keeler makes salt glaze pottery influenced by early Staffordshire Creamware. Writer Oliver Watson described him as 'one of the most important and influential potters of the 1980s'. Keeler's work is held in a number of public collections including Victoria & Albert Museum, National Museum Wales, American Craft Museum, New York, Los Angeles County Museum of Art , Museum of Fine Arts, Houston, USA and the Museum of Modern Art, Tokyo.
Keeler makes salt glaze pottery influenced by early Staffordshire Creamware. Writer Oliver Watson described him as 'one of the most important and influential potters of the 1980s'. Keeler's work is held in a number of public collections including Victoria & Albert Museum, National Museum Wales, American Craft Museum, New York, Los Angeles County Museum of Art , Museum of Fine Arts, Houston, USA and the Museum of Modern Art, Tokyo.
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About the work

About the Work
Our documentary tells the story of one of Britain's most respected studio potters, Walter Keeler. Set against the backdrop of his house and studio on the borderlands between England and Wales, Keeler tells us his about his life as a potter and how, through his interest in early industrial British pottery, his work has been rooted in European and especially British traditions.
He demonstrates some of his remarkable working practices and talks of how his functional pots were transformed by drawing on his sculptural instinct to alter and assemble thrown components. While still functional, his work will often challenge and amuse the user.
He demonstrates some of his remarkable working practices and talks of how his functional pots were transformed by drawing on his sculptural instinct to alter and assemble thrown components. While still functional, his work will often challenge and amuse the user.
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