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White Man, Grey Man, Red Lino, 1985
By Bruce McLean
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McLean studied at Glasgow School of Art from 1961 - 1963, and from 1963 - 1966 at St Martin’s School of Art, London, where he and others rebelled against what appeared to be the formalist academicism of his teachers. In 1965 he abandoned conventional studio production in favour of impermanent sculptures using materials such as water, along with performances of a generally satirical nature directed against the art world.
When in 1972 he was offered an exhibition at the Tate Gallery, he opted, with obviously mocking intent, for a ‘retrospective’ lasting only one day.In 1971 McLean established Nice Style, billed as ‘The World’s First Pose Band’, while teaching at Maidstone College of Art. From the mid 1970s, while continuing to mount occasional performances, McLean turned increasingly to painting, in a witty and subversive parody of current expressionist styles, and to ceramics.
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About the Work
Signed screenprint in 5 colours with additional handworking.
Printed at Coriander Studio, London. Vélin Arches 300 gsm. Edition of 100 with 10 artist's proofs, 1 studio proof and 1 stage proof. Published by Bernard Jacobson Gallery, London.
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