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Untitled - F4, 1941
Collotype •
Signed in plate •
33cm
x
25cm
SKU: HM-f4-sp
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Matisse was born in 1869 in Northern France. By 1891 he had abandoned his law degree and started to paint. In Paris, Matisse studied art briefly at the Académie Julian and the Ecole des Beaux-Arts. He embraced a new range of influences, abandoning the Impressionistic palette and establishing his own style with brilliant colour and fluid line. His subjects were primarily women, interiors, and still lifes.
From the early 1920s until 1939, Matisse divided his time between the South of France and Paris. While recuperating from two major operations in 1941 and 1942, he concentrated on a technique he had devised earlier, ‘papiers découpés’ (paper cutouts), which would prove hugely influential, and was one of the first painters to take an interest in “primitive” art. He died on November 3, 1954, in Nice.
From the early 1920s until 1939, Matisse divided his time between the South of France and Paris. While recuperating from two major operations in 1941 and 1942, he concentrated on a technique he had devised earlier, ‘papiers découpés’ (paper cutouts), which would prove hugely influential, and was one of the first painters to take an interest in “primitive” art. He died on November 3, 1954, in Nice.
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About the work
About the Work
Signed in the plate collotype.
From the Dessins, Thèmes et Variations suite. Printed in an edition of 950 and published by Martin Fabiani in Paris in 1943.
This extremely rare suite was issued in Paris in 1943 and very few sets seem to have survived.
In the early 1940s, in war-torn Europe, the published Martin Fabriani offered Henri Matisse an extraordinary commission. Matisse was to choose a few of his favourite themes and make a series of drawings. In a letter to his daughter, Matisse commented on the project:
"For a year I made a very important effort, one of the most important in my life. I developed my drawing and with ease made surprising progress with freely expressed sensibility, a wide variety of sensations but a minimum of means. It was like a breakthrough."
The works were seneitively drawn with elegant unshaded line describing simplified forms of female figures and still lifes.
A copy of the numbered justification page will accompany the purchase of this work.
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