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Hamstall Ridware, Staffordshire, 1978
By John Piper
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John Piper was born at Epsom in Surrey, 1903. Following his father’s wishes, he spent 5 years in the family law firm before pursuing art, firstly at Richmond School of Art and then at the Royal College of Art. In the 1930s Piper exhibited abstract pictures and constructions, then reverted to creating landscape and architectural images, developing the picturesque style that features in his later work.
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
Piper experimented with printmaking from as early as 1923 when he produced four wood engravings. Piper’s prints embody his love of Britain through their depiction of its art, architecture and topography. However frequently underpinning their design, as the artist Rigby Graham has indicated, are the elements of collage, construction and assemblage that featured in his modernist work of the early 1930s.
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About the work
About the Work
Signed gouache with pen and ink.
Exhibited at Beaux Arts under the title ' Clifton Campville, Staffordshire'.
The 17th-century brick garden walls of Hamstall Hall, enclose a large rectangular garden. In the north-west corner a Tudor-arch doorway with stone surround gives access to the main courtyard of Hamstall Hall. There is also evidence of early fishponds and orchards with bee boles.
Framed size: 59 x 75 cm
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