Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.
The Angel Plant,
Born Katherine Leigh-Pemberton, Kaff Gerrard was a British artist whose work (across various mediums) has only been highlighted in the decades following her death. Scarcely known or shown during her lifetime, Gerrard’s early career was nonetheless promising. A student of the Slade School of Art in the early 1920s, she received numerous honours including first prizes for painting from the cast and portraiture and a prize for life painting. It was at the Slade that she met her future husband, A.H. Gerrard, a sculptor who would later head the Slade’s sculpture department.
Based initially in Kent, Gerrard sought inspiration from the land and seascapes of the South Downs. In the Second World War she painted scenes of downed bombers strewn about local fields and farmsteads, some of which are now housed in the Imperial War Museum. Her broad brushwork and palette of lilacs, violets, blues and greens adapted well to landscapes, still lives and spiritual paintings with symbols drawn from Christian theology. Her only lifetime exhibition was shared with her husband at Colnaghi’s, London, in 1931 and showcased her pottery and sculpture. Since the early 1990s her work has been widely reappraised and is now held in numerous national collections, including the Fitzwilliam Museum in Cambridge, the Tate in London, and the Government Art Collection.
Oil on canvas.
From the Gerrard Estate.
Frame hand carved by her sculptor husband A H Gerrard.
Textural and iridescent, a host of angels slowly emerge from the tangled foliage of this still life.
Wilson Steer, Gerrard's tutor at the Slade, described her as "the most natural painter he had ever known at the Slade." John Russel Taylor wrote in the Sunday Times , “and never confused with that of anyone else. It combines technical mastery with personal vision in a way that only great art achieves.”
In 1991, an exhibition of her work was held at the Royal Museum & Art Gallery in Canterbury. This led to a reappraisal of her work and a number of British museums and galleries acquired examples of her art. These included the Tate, the Imperial War Museum and the Fitzwilliam Museum in Cambridge.
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