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I. A. Richards: His Use of the Tensions in Language Systems, 1970-72
By R B Kitaj
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Ron Kitaj was born in Ohio, USA in 1932. He became a merchant seaman with a Norwegian freighter when he was 17. He studied at the Akademie der Bildenden Kunste in Vienna and the Cooper Union in New York. After serving in the United States Army for two years, in France and Germany, he moved to England to study at the Ruskin School of Drawing and Fine Art in Oxford and then the Royal College of Art in London, alongside David Hockney, Allen Jones and Patrick Caulfield.
Kitaj had a significant influence on British Pop art and was recognised as being one of the world’s leading draughtsmen. In his later years he developed a greater awareness of his Jewish heritage, considering himself to be a ‘wandering Jew’. He was awarded Royal Academician in 1991 and Golden Lion at the Venice Biennale in 1995. Examples of his work are held in most major public collections worldwide. Kitaj committed suicide in 2007, eight days before his 75th birthday.
Kitaj had a significant influence on British Pop art and was recognised as being one of the world’s leading draughtsmen. In his later years he developed a greater awareness of his Jewish heritage, considering himself to be a ‘wandering Jew’. He was awarded Royal Academician in 1991 and Golden Lion at the Venice Biennale in 1995. Examples of his work are held in most major public collections worldwide. Kitaj committed suicide in 2007, eight days before his 75th birthday.
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About the Work
From A Day Book by Robert Creeley.
Signed. Edition of 200.
Photoscreenprint on green mould-made Japanese paper.
This suite was made in direct collaboration with the poet Robert Creeley and 'each print relates to a small block of text from Creeley's long prose poem, which recounts events of a single day interjected with disquieting private musings.' Jennifer Ramkalawon, Kitaj Prints, 2013.
'To appreciate these prints, it will help to know that A Day Book was the product – perhaps the definitive product – of a turning point in Kitaj’s career. With a traumatic episode opening the door to a new way of working, A Day Book has all the hallmarks of a work made in a period of transition: a simplification of content and renewed concentration on subject, colour and tone.' Max Waterhouse, Goldmark Autumn 2022.
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