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Man Holds the Key, 1972
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Born in Scotland to Italian parents, Paolozzi attended evening classes at the Edinburgh College of Art and studied at St. Martin’s School of Art, later transferring to London’s Slade School of Art, where he graduated in 1947. He moved to Paris for three years where he became involved in Dadaism and Surrealism. In 1950, Paolozzi returned to London, quickly becoming a leading member of the Independent Group.
A significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He emerged fully onto the Pop Art scene in 1962 with his abstract, robot-like figures such as Four Towers and Solo, but of all his work his screenprints are said to have had the largest impact on Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005.
A significant member of the Group, Paolozzi greatly influenced the development of Pop Art. He emerged fully onto the Pop Art scene in 1962 with his abstract, robot-like figures such as Four Towers and Solo, but of all his work his screenprints are said to have had the largest impact on Pop Art. He taught all over the world as guest professor and lecturer, and was knighted in 1988. Eduardo Paolozzi died in 2005.
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About the work
About the Work
Original screenprint.
From Paolozzi's sought after Bunk suite.
Printed in an edition of 100.
Published by Snail Chemicals 1972.
Each piece for the Bunk series were hand-torn, creased, and adhered to boards in various colours, making each set a little unique.
The piece will come with a copy of the signed and numbered justification page, which is dedicated 'for Ken'.
Long before it was published as a series of silk-screen prints Bunk had played a leading role in the post-war history of British art. For the collages from which these prints were made were some of the many images Eduardo Paolozzi showed at the first meeting of the Independent Group at the ICA in 1952.
Bunk occupies a crucial position in Paolozzi's own development. It is the strongest link between his past and present.
Frank Whitford 1972
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