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Goldmark 22, 2021
A beautiful 64 page quarterly magazine •
27cm
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23cm
SKU: BK-GM-22
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Japan and France seem to provide the focal points for our latest Autumnal issue. Two icons of French art – the poster designer Jules Chéret and the multitalented Sonia Delaunay – bring a riot of Parisian colour to these pages, while Ikebana expert Rie Day furnishes Ken Matsuzaki's pots with her arrangements and Koichiro Isezaki trailblazes new work from ancient Bizen. Two dates for your diary: 27th November for our Phil Rogers memorial exhibition opening, and 4th December for a major retrospective of the mid-century Polish master Jankel Adler.
This issue has contributions by:
Rie Day holds Professor status with the Ikenobo Society of Floral Art in Kyoto, with over 30 years of experience in Ikebana. She leads workshops and demonstrations, has arranged for several shows at the Goldmark Gallery, and teaches Ikebana at Fulbeck Hall, Lincolnshire.
Hilary Davies has published four volumes of poetry with Enitharmon Press; she has also written extensively on the art and poetry of David Jones and contributed to the Visual Commentary on Scripture and the British Art Journal. She was head of languages at St Paul’s Girls’ School for 19 years and has been Royal Literary Fund Fellow at King’s College, London, and the British Library.
Michael Glover is a London-based poet and art critic, and Poetry Editor of The Tablet. He writes weekly for Hyperallergic Weekend, and has written regularly for The Independent, The Times, the Financial Times, New Statesman and The Economist. He has also been a London correspondent for ARTNews, New York.
Dr Robin Wilson is a Researcher at the University of Oxford School of Anthropology and Museum Ethnography and founder of the Wytham Studio, a visual arts research unit located at the University Research Woodlands at Wytham. A member of Keble College, since 2013 he has been Director of the Oxford University Anagama Project.
Japan and France seem to provide the focal points for our latest Autumnal issue. Two icons of French art – the poster designer Jules Chéret and the multitalented Sonia Delaunay – bring a riot of Parisian colour to these pages, while Ikebana expert Rie Day furnishes Ken Matsuzaki's pots with her arrangements and Koichiro Isezaki trailblazes new work from ancient Bizen. Two dates for your diary: 27th November for our Phil Rogers memorial exhibition opening, and 4th December for a major retrospective of the mid-century Polish master Jankel Adler.
This issue has contributions by:
Rie Day holds Professor status with the Ikenobo Society of Floral Art in Kyoto, with over 30 years of experience in Ikebana. She leads workshops and demonstrations, has arranged for several shows at the Goldmark Gallery, and teaches Ikebana at Fulbeck Hall, Lincolnshire.
Hilary Davies has published four volumes of poetry with Enitharmon Press; she has also written extensively on the art and poetry of David Jones and contributed to the Visual Commentary on Scripture and the British Art Journal. She was head of languages at St Paul’s Girls’ School for 19 years and has been Royal Literary Fund Fellow at King’s College, London, and the British Library.
Michael Glover is a London-based poet and art critic, and Poetry Editor of The Tablet. He writes weekly for Hyperallergic Weekend, and has written regularly for The Independent, The Times, the Financial Times, New Statesman and The Economist. He has also been a London correspondent for ARTNews, New York.
Dr Robin Wilson is a Researcher at the University of Oxford School of Anthropology and Museum Ethnography and founder of the Wytham Studio, a visual arts research unit located at the University Research Woodlands at Wytham. A member of Keble College, since 2013 he has been Director of the Oxford University Anagama Project.
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