Sometimes the word 'gallery' simply isn't enough. Yes, it's the core of a business dedicated to the best in painting, printmaking, sculpture and ceramics. But here the books turn into paintings, the paintings turn into films. Watch our short film to find out a bit more about us and what we do.
Goldmark 29, 2023
The life and spirit of John Clare, one of our great recorders of the natural world, rests at the heart of our Summer 2023 issue. We look back, 30 years on, from Rigby Graham’s retracing of Clare’s steps when the poet absconded from an asylum in Essex, and pay tribute to Ronald Blythe who died earlier this year, ex-President of the Clare Society and a great naturalist in his own right. Van Gogh’s private reading (before he was himself committed) features in our colour column. And two greats of British art, Paula Rego and Elisabeth Frink, loom large as writers Laura Gascoigne and Caroline Wiseman extoll their projects in print. Plenty to enjoy in the summer sun.
CONTRIBUTORS
Laura Gascoigne is a freelance critic and commentator on the visual arts. She reviews regularly for The Spectator and has been a long-time contributor to major publications including The Telegraph, the Guardian, Apollo, the RA Magazine, The Tablet, Country Life, and The Jackdaw.
Richard Coles was a Church of England priest in the English village of Finedon, Northamptonshire, until his retirement from clerical duties in 2022. Formally the instrumentalist half of pop band The Communards, in the last two decades he has been a regular panellist on various BBC shows and for 12 years, until March 2023, co-presented BBC Radio 4’s Saturday Live. Since 2017 he has been Chancellor of the University of Northampton and is an Honorary Chaplain to the Worshipful Company of Leathersellers. In recent years he has become a best-selling murder mystery author – and a valuable supporter and collector of ceramics.
Caroline Wiseman is an art dealer and writer, Senior Visiting Fellow at the University of Suffolk, an Ambassador for the Princes Trust, and a Fellow of the Royal Society of the Arts. Having previously served as a trustee of Paintings in Hospitals, in 2010 she co-founded the Aldeburgh Beach Lookout as a centre for public viewing and discussion of modern art. In 1998 she authored the catalogue raisonné of Elisabeth Frink’s work in print.
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