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Morandi & Morwenna | Colours of Light and Dust
Giorgio Morandi and Morwenna Thistlethwaite. The Italian master and the Cornish recluse. Bologna and Downalong,...
Alchemy on Anglesey
It is with very mixed emotions that I sit here and reflect on Norman Ackroyd’s...
Light in the Art of Francis Davison
‘Now is life very solid or very shifting? I am haunted by the two contradictions....
Unrestrained Celebration by Mark Haddon
I first found myself on the Goldmark website some years ago in search of prints...
Leonard Baskin - The Native American Portraits
In 1968, with tensions sharply rising in the Vietnam War, the sculptor and printmaker Leonard...
Graham Boyd: Obituary
This article was first published in The Guardian on Monday 16th September 2024 When abstract...
At Home With Norman Ackroyd
A recent stroke of luck brought Mike Goldmark and master etcher Norman Ackroyd together, 30...
Rewilding Tradition | Anne Mette Hjortshøj
Anne Mette’s mission to unearth the hidden clays and minerals on the island of Bornholm...
Nōtan, the Dark-Light Principle
What connects an elusive German bookbinder, Ansel Adams, photographer of the Sierra Nevada, and turn-of-the-...
John Farrington | A Lost World
Chronicler of the downtrodden and dispossessed characters of his local Shropshire haunts, John Farrington has...
Ashes to Ashes: How the lowliest of materials b...
Not a Crystal, but a Flower What you and I know as jade could in...
Koichiro Isezaki: Presence
Recently in conversation with Izesaki Kôichiro (b. 1974) discussing his first solo exhibition at Goldmark...