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Arthur Houghton Jnr, 1953
By Frank Dobson
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Frank Dobson was born in London on 18 November, 1886. The son of a commercial artist, he showed early promise and won an art scholarship aged eleven. On leaving school at the age of fourteen he became a studio assistant to the sculptor William Reynolds Stevens. He then studied at Hospitalfield Art School in Scotland. His work was influenced by his exposure to the modernist art shown in Roger Fry’s landmark exhibition of 1910-11. After spending World War 1 in the Artists Rifles, he showed his first sculptures in Wyndham Lewis’s 1920 Group X exhibition.
Over the years he moved from his early Cubist-inspired sculpture to a more lyrical style based on the female nude form. He also produced a series of notable portrait busts. His work was praised by Roger Fry as ‘true and pure sculpture’ and the critic Clive Bell described his Cornucopia as ‘the finest piece of sculpture which has been produced by an Englishman’
After World War II he was appointed professor of Sculpture at the Royal College of Art and awarded the CBE.
Over the years he moved from his early Cubist-inspired sculpture to a more lyrical style based on the female nude form. He also produced a series of notable portrait busts. His work was praised by Roger Fry as ‘true and pure sculpture’ and the critic Clive Bell described his Cornucopia as ‘the finest piece of sculpture which has been produced by an Englishman’
After World War II he was appointed professor of Sculpture at the Royal College of Art and awarded the CBE.
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About the Work
A unique bronze commissioned by the sitter who was president of Steuben Glass 1933-1972.
Signed and dated NY '53.
Dobson was visiting New York in 1953 for the commission of Sir Thomas Lipton's bust. The visit brought two
other commissions, a portrait bust of the Chairman
of Steuben Glass, and an invitation to design a piece
for the company’s collection of artists’ glass. The
result, an engraved goblet titled The Wave, is in the
Steuben Collection and in the Metropolitan Museum of Art.NY.
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