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Repast, 1946
By Frank Dobson
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Frank Dobson was born in London on 18 November, 1886. The son of a commercial artist, he showed early promise and won an art scholarship aged eleven. On leaving school at the age of fourteen he became a studio assistant to the sculptor William Reynolds Stevens. He then studied at Hospitalfield Art School in Scotland. His work was influenced by his exposure to the modernist art shown in Roger Fry’s landmark exhibition of 1910-11. After spending World War 1 in the Artists Rifles, he showed his first sculptures in Wyndham Lewis’s 1920 Group X exhibition.
Over the years he moved from his early Cubist-inspired sculpture to a more lyrical style based on the female nude form. He also produced a series of notable portrait busts. His work was praised by Roger Fry as ‘true and pure sculpture’ and the critic Clive Bell described his Cornucopia as ‘the finest piece of sculpture which has been produced by an Englishman’
After World War II he was appointed professor of Sculpture at the Royal College of Art and awarded the CBE.
Over the years he moved from his early Cubist-inspired sculpture to a more lyrical style based on the female nude form. He also produced a series of notable portrait busts. His work was praised by Roger Fry as ‘true and pure sculpture’ and the critic Clive Bell described his Cornucopia as ‘the finest piece of sculpture which has been produced by an Englishman’
After World War II he was appointed professor of Sculpture at the Royal College of Art and awarded the CBE.
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About the work
About the Work
Bronze from the 1946 terracotta, cast in 2020 in an edition of 12.
This is the only bronze edition of this sculpture.
Dobson Estate stamp.
Numbered
Black Isle Foundry stamp.
'The Repast (1946) features two women at right angles to each other with a large water jar between them. Again the original terracotta has now been cast in bronze, to great effect. The argument for casting Dobson’s terracottas in bronze posthumously is a convincing one. It rests in the fact that this follows the natural progression, from study to finished sculpture, and that he would have cast the bronzes himself if he could have afforded it, but the high cost of materials all too often prevented him. This loss has now been made good by Goldmark and the artist’s estate.,
Andrew Lambirth, Frank Dobson 'Bring it Alive'.Goldmark 2022.
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