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Steel Works Interior III, c.1939-45
By Frank Dobson
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Frank Dobson was born in London on 18 November, 1886. The son of a commercial artist, he showed early promise and won an art scholarship aged eleven. On leaving school at the age of fourteen he became a studio assistant to the sculptor William Reynolds Stevens. He then studied at Hospitalfield Art School in Scotland. His work was influenced by his exposure to the modernist art shown in Roger Fry’s landmark exhibition of 1910-11. After spending World War 1 in the Artists Rifles, he showed his first sculptures in Wyndham Lewis’s 1920 Group X exhibition.
Over the years he moved from his early Cubist-inspired sculpture to a more lyrical style based on the female nude form. He also produced a series of notable portrait busts. His work was praised by Roger Fry as ‘true and pure sculpture’ and the critic Clive Bell described his Cornucopia as ‘the finest piece of sculpture which has been produced by an Englishman’
After World War II he was appointed professor of Sculpture at the Royal College of Art and awarded the CBE.
Over the years he moved from his early Cubist-inspired sculpture to a more lyrical style based on the female nude form. He also produced a series of notable portrait busts. His work was praised by Roger Fry as ‘true and pure sculpture’ and the critic Clive Bell described his Cornucopia as ‘the finest piece of sculpture which has been produced by an Englishman’
After World War II he was appointed professor of Sculpture at the Royal College of Art and awarded the CBE.
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About the work
About the Work
Signed pastel drawing.
During the war years Dobson and his wife lived in Bristol throughout the Bristol Blitz and, like several other artists, painted the ruins of churches destroyed in the bombing.
Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor.
We believe these drawings were done at this time.
During the war years Dobson and his wife lived in Bristol throughout the Bristol Blitz and, like several other artists, painted the ruins of churches destroyed in the bombing.
Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor.
We believe these drawings were done at this time.
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